Gearing Up!

Howdy, howdy!

I know it's been a while, but I was dealing with some different stuff that needed my attention. I know, I know... what could need my attention more than this?! Truth be told, nearly two weeks of my absence was spent watching everything Netflix had to offer while I lay on the sofa, snuffling and wheezing away a cold. For some reason it's difficult to feel creative when breathing is an issue.

Anyway! I have been and am a Guest Designer this month for Gina's Designs. Gina's does all kinds of really cool laser cut things, such as the gears pictured above. If you haven't followed me around on various social media platforms, here are the links:

When Whippoorwills
and
We Danced

Less than a year ago I fell madly in love with Gina’s Designs laser cuts. I was introduced to them via Rubbermoon when I was on their Design Team. Ever since then I've been a little addicted to using them in my projects. I find that they fit perfectly with my collage style of art work. As with so much of my work, I love to give chipboard that aged, distressed, vintage feel. For me, that’s part of what makes it so much fun to work with - the fact that I can use layers of stuff and multiple techniques and the chipboard stands up to my “abuse”. So, when Gina asked me to be a Guest Designer, I was thrilled.

But not quite as thrilled as I am today, 'cause... guess what?!

I just found out that I'm going to be a more permanent member of the Design Team for Gina's Designs! I actually found out the other day, but I couldn't tell anyone until they'd announced it. So, I've been giddy with excitement and just about exploding from holding back the news. I'll be posting every Monday on Gina's Design's blog, so save the link and check back. In the meantime, check out what my fellow crafty Design Team friends are doing over there, because they are one freakishly talented bunch!

The quick tutorial for today is me telling you to play. Just play!

I started with the Gears Shape Set, which, like all the other laser cuts, comes in plain old kraft brown. See?

I wanted them to look like well used metallic bits, so I got out every metallic-y substance in my arsenal and started playing... sponging, spraying, slopping, glopping. I'm tellin' ya, that's where the fun is.

Just play. You'll be amazed where it takes you. And here's the other thing about that. I hear all the time from people who tell me they try doing something, get frustrated when it doesn't go where they want it to, and give up. Well, if you're just playing, none of that pressure is there. You're freed to just let it happen the way it wants to happen, which is where all the very best art of any kind comes from.

Now, if you'll excuse me, I'm off to play.

Paper Tiger

 I'm posting again for the Fitztown Design Team. What inspired me this week? A pile of crumpled napkins. *shrug* It's how I roll.

I submit for your review, the basic brown paper napkin. Dining and coffee establishments love to give everyone copious quantities of them. In my life, there is always a bunch of these things hanging around - jammed into my purse, stuck between pages of books as a marker, tossed aside on an end table - until I finally get tired of seeing them or digging around them and toss them.

Toss them? Not this time and probably never again! I went with, "Hmmm... crafting possibilities...?" So I taped one to a piece of printer paper to give it stability and printed out Fitztown's tiger (available here) on it.

So far, so good. Now what...? I decided to see if I could color on it without ripping it and see if I could then maybe decoupage it onto a blank coaster. I experimented with different mediums on a spare napkin. With dozens of them in residence, it wasn't too painful to sacrifice one. Some of the mediums I tried were too wet and tore the napkin or bled too much. So, I went (very gently) with crayons, a blender pen with distress ink for the leaves, and a white ballpoint pen to give ol' Tony some contrast.

Next up, I got out a blank coaster (this one is a 3.5" square) and my Liquitex gloss gel (I use the medium thickness). I also ripped the napkin down to an easier to manage size at this point.

I turned the napkin over and applied a coat of the Liquitex gel to the back of the image, coating only the image and not outside of it. I flipped it over again and adhered it to the coaster. I applied more Liquitex gel to the top of the image going slightly outside of the image, since my intention was to be able to rip away excess napkin.

As you can see, I used my finger to apply the Liquitex gel both to the back and the front of the image. I like getting messy. Plus, I find that I can control what I'm doing better by being completely "hands-on". But, for those of you who don't like to get messy, you could easily use a sponge or a brush - just be really careful not to tear the napkin.

Once the piece was mostly dry, I carefully tore away excess napkin. Then I swiped some of Ranger's Tarnished Brass Distress Stain around the edges and sponged over that in a scrubbing motion using Ranger's Crushed Olive Distress Ink. Finally, I went over the entire piece again with the Liquitex gel.

The piece seemed too dark to me and I wanted to lighten it up and give it a little extra interest. So, I used StazOn Opaque White and an old background stamp that I got from who-knows-where and stamped around the tiger.

And that, as they say, is that. I know it seems like a long, complicated process, but it really wasn't. Waiting for it to dry in between gel applications got a little tiresome, but that's what goofing around on Facebook is for... isn't it?

Look around you. Look at the stuff you normally toss out and try to come up with something creative to do with it instead. Let me know what you come up with.